[1]秦文斌.浅析闽王祠建筑灰塑及彩绘的审美文化特征[J].福建工程学院学报,2020,18(02):139-143.[doi:10.3969/j.issn.1672-4348.2020.02.007]
　QIN Wenbin.On the aesthetic and cultural characteristics of lime sculpture and color painting in the architecture of the ancestral hall of King Min[J].Journal of FuJian University of Technology,2020,18(02):139-143.[doi:10.3969/j.issn.1672-4348.2020.02.007]
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浅析闽王祠建筑灰塑及彩绘的审美文化特征()
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《福建工程学院学报》[ISSN:2097-3853/CN:35-1351/Z]

卷:
第18卷
期数:
2020年02期
页码:
139-143
栏目:
出版日期:
2020-04-25

文章信息/Info

Title:
On the aesthetic and cultural characteristics of lime sculpture and color painting in the architecture of the ancestral hall of King Min
作者:
秦文斌
福建工程学院建筑与城乡规划学院
Author(s):
QIN Wenbin
School of Architecture and Urban Planning, Fujian University of Technology
关键词:
福州; 闽王祠; 灰塑; 彩绘; 审美文化
Keywords:
Fuzhou;  the ancestral hall of King Min;  lime sculpture;  color painting;  aesthetics and culture
分类号:
J529
DOI:
10.3969/j.issn.1672-4348.2020.02.007
文献标志码:
A
摘要:
闽王祠灰塑与彩绘艺术是福州传统祠堂装饰的典型案例。它饰域完整、工艺丰富，展示了传统建筑装饰工艺的审美特色；题材鲜明、表意通俗，体现了闽东祠堂装饰文化儒释道三教合一的典型特征；造型秀逸、格调清丽，充溢着“海滨邹鲁”的福州人文底蕴和闽东独特的海洋文化气息。闽王祠灰塑与彩绘艺术的造型语言和审美样式丰富了福州祠堂文化的审美内容，同时也为闽东灰塑彩绘传统工艺的传承与发展提供了有益的文化审美支撑。
Abstract:
The lime sculpture and color painting art of the ancestral hall of King Min is a typical case of traditional temple decoration in Fuzhou. It has a complete decoration area and rich craftsmanship, showing the aesthetic characteristics of the traditional architectural decoration technology; it has a distinctive theme and popular expression, embodying the typical characteristics of the integration of Confucianism, Buddhism and Taoism in the decoration culture of the ancestral halls in East Fujian; it has a beautiful shape, beautiful style, and is full of the cultural heritage of Fuzhou and the unique marine culture of East Fujian. The modeling language and aesthetic style of the lime sculpture and color painting art of the ancestral hall of King Min enrich the aesthetic content of Fuzhou’s temple culture, and provide a useful cultural and aesthetic support for the inheritance and development of the traditional technology of the lime sculpture and color painting in East Fujian.

参考文献/References:

[1] 郑慧铭. 闽南传统民居建筑装饰及文化表达[D]. 北京: 中央美术学院, 2016. [2] 赞宁. 宋高僧传[M]. 北京: 中华书局, 1987: 卷第十八.[3] 张道一, 张明川. 学术学记第一集——苏州云岩寺北宋初年灰塑图像初析[M]. 苏州: 苏州大学出版社, 2008: 150.[4] 郑慧铭.闽南传统建筑装饰[M]. 北京: 中国建筑工业出版社, 2018: 6.[5] 张晓霞. 天赐荣华——中国古代植物装饰纹样发展史[M]. 上海:上海文化出版社, 2010: 38.[6] 张以红. 开平碉楼灰塑研究[M]. 北京: 中国建筑工业出版社, 2019: 140.[7] 詹姆斯·霍尔. 东西方图形艺术象征辞典[M]. 韩巍, 徐延波, 郝一匡, 译. 北京: 中国青年出版社, 2000: 268. [8] 高阳. 中国传统建筑装饰[M]. 天津: 百花文艺出版社, 2009: 231.

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更新日期/Last Update: 2019-04-25