[1]卢仁龙.画坛又谱广陵散——林纾书画艺术论[J].福建工程学院学报,2014,12(05):409-414，437.[doi:10.3969/j.issn.1672-4348.2014.05.001]
　Lu Renlong.The rebirth of Guangling verse in painting field: On Lin Shu’s painting and calligraphy[J].Journal of FuJian University of Technology,2014,12(05):409-414，437.[doi:10.3969/j.issn.1672-4348.2014.05.001]
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画坛又谱广陵散——林纾书画艺术论()
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福建工程学院学报[ISSN:2097-3853/CN:35-1351/Z]

卷:
第12卷
期数:
2014年05期
页码:
409-414，437
栏目:
林纾文化研究
出版日期:
2014-11-10

文章信息/Info

Title:
The rebirth of Guangling verse in painting field: On Lin Shu’s painting and calligraphy
作者:
卢仁龙
福建工程学院福建地方文化资源研究中心
Author(s):
Lu Renlong
Fujian Local Cultural Resource Research Centre, Fujian University of Technology
关键词:
林纾; 书画艺术; 画论; 艺术史
Keywords:
Lin Shu;  the art of painting and calligraphy;  the theory on painting;  the history of art
分类号:
J205；J222
DOI:
10.3969/j.issn.1672-4348.2014.05.001
文献标志码:
A
摘要:
林纾在书画艺术上的成就长期被忽视。考察林纾的绘画经历，分析其创新之处，认为他在绘画上有三大特点：一是师承有自而重造化自然；二是挥毫越甲子，勤于作画；三是笔墨独特，自创新法。此外，题画诗和画论亦是林纾独特而有价值的艺术贡献。
Abstract:
Lin Shu’s achievements in calligraphy and painting have been neglected for dozens of years. The paper illustrates Lin Shu’s painting experience and reveals his innovations. The major three features in his painting are elaborated. Firstly, he highly valued the nature, which was inherited from his teachers. Secondly, he was very diligent in painting and kept on painting for more than 60 years. Thirdly, his painting techniques were unique with innovations. Moreover, his painting poems and theories on painting are also part of his special artistic contribution.

参考文献/References:

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更新日期/Last Update: 2014-10-25